Infernal vision after infernal vision, plunge into Norbert Pfaffenbichler’s mad depictions.
Hieronymus Bosch is dead. Long live Norbert Pfaffenbichler, an Austrian experimental punk filmmaker who leads us into his own garden of delights, filled with horrors, deviant sex, extreme violence, and grotesque hallucinations that eschew all good taste. Pfaffenbichler has no taboos and submits us to his obscene fantasies, in the subterranean world he’d already shown us in 2551.01, the first part of his trilogy. The score may be baroque or electro, the artist invites us into his transgressive choreographies, between cinema and performance. After Orgy of the Damned; even the most hardened atheists will feel the ticklings of hellfire!