In 1962, in her only film, the Persian poetess Forough Farrokhzad follows the daily lives of the residents of a leper colony. The House is Black was a revolution for Iranian cinema. By confronting us to ugliness, she annihilates it: only beauty remains. Farrokhzad films likes she writes her verse - that she recites throughout the film - in a cinema style reminiscent of Paradjanov, haunting like a melody, capable of grasping the motion of life as well as the splendor of the inanimate. Admired by Chris Marker, this short film dazzles the eye as powerfully as it pierces the heart.
Credits
With : Forough Farrokhzad, Ebrahim Golestan, Hossein Mansouri...
Screenplay : Forough Farrokhzad
Photography : Soleiman Minassian
Editing : Forough Farrokhzad
Production : Ebrahim Golestan
Fuck Me
(Baise-moi)
Virginie Despentes and Coralie Trinh Thi
2000
France
Police / Drama
1h17mn
French
Color
After one of them is raped and murders her brother, two friends, Nadine and Manu, go on the run. Their suicidal flight is punctuated by killings and carnal impulses.
Those who let themselves be blinded by the scandal caused by the explicit sex scenes that led to its adult only rating, likely missed upon the genuine cinematic statement that was Virginie Despentes’ adaptation of her own novel, co-directed with Coralie Trinh Thi. A feminist manifesto way ahead of its time, a punk scream, rough edged and raw, what if this trashy Thelma and Louise was nothing but a prototype of French exploitation movies, reconnecting with the political virulence of the 1970s? A rape and revenge movie, entirely conceived from women’s perspective, in the vein of A Gun For Jennifer.
Credits
With : Karen Lancaume, Raffaëla Anderson, Céline Beugnot, Adama Niane...
Screenplay : Virginie Despentes, Coralie Trinh Thi (adapted from the novel 'Fuck me' by Virginie Despentes)
Photography : Benoît Chamaillard
Editing : Aïlo Auguste-Judith, Francine Lemaitre
Music by : Varou Jan
Production : Philippe Godeau
Screenings
11/09 • 19h30 • Screen 300 Presented by Anna Mouglalis. In the presence of Coralie Trinh Thi